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Film
Script: Kiss For Joe - Part -2
Kiss
For Joe
by
Pedro MALLOL & Edgardo
VIERECK
Adapted from
the novel "Muriendo por la dulce patria mia"
by Roberto Castillo
For
Part I
EXT. BAY/OCEAN.
NIGHT.
Arturo and
Cholo hold the buoy.
They look exhausted.
ARTURO
I hope it will
not take long.
I'm freezing.
CHOLO
(looking at
the sea bottom)
Easy Godoy.
It's coming.
Arturo dips
his head under the water and opens his eyes. After adjusting his vision, he can see an old shipwreck strangely
glowing in the dark.
Arturo sticks his head out, eyes wide open.
ARTURO
See how beautiful
is the Esmeralda!
Its lights
are all on!
CHOLO
It's the sea
salt sticking to the ship what shines to the moonlight,
stupid.
ARTURO
Gee, you really
know a lot of stuff Cholo.
And you didn't even go to school much.
Cholo keeps
looking into the ocean depths.
CHOLO
They are all
dead down there Arturo.
ARTURO
Stop it.
They might get mad and come up here to get us.
CHOLO
That's what
I want, to be taken all the way down there.
Cholo laughs
dreadfully. Arturo's
now spooked and angry.
Cholo continues to laugh.
The moonlight spills all over the ocean's surface,
giving the whole scene an almost surreal air. From above their heads, we see the image of the sunken ship, glowing
in a beautiful ghost-like manner.
CUT TO:
EXT. STREET
FAIR. NIGHT.
Arturo and
Cholo approach the great tent of "The Circus of
Wonders" as seen before from the beach.
Both wear dry clothes but their hair is still
soaking wet. They're counting money as they walk, unaware of they fact that
they’re followed by two shadows.
CHOLO
Let's get into
the tent. It's
show time.
ARTURO
No thank you.
I'm tired, I'm going home.
Suddenly Arturo
halts and sees the pretty girl from the movie theater
walks pass holding her father's arm.
They take a look at the large sign standing next
to the circus entrance. Arturo can't help being hypnotized by
her beauty.
ARTURO
Well, didn't
you want to see the show?
CHOLO
Now you wanna
go, uh?. All
right, let's go.
Both friends
head towards the line of people awaiting to get in. Someone holds Cholo from a shoulder. It's a slightly older young man, FERNANDITO,
24. Next
to him there's a scrawny and slightly deformed fellow,
EVARISTO, 33.
FERNANDITO
Hey Cholo!
I wanna have a word with you two boys!
Arturo turns
around and looks at them intrigued.
CHOLO
Oh yeah?
What about? Your sister maybe?
FERNANDITO
You think you're
funny you damn Peruvian?
I know where you got all that money from!
CHOLO
What money
jackass?
FERNANDITO
Don't get smart
on me. Just
cut us a share and we'll keep our mouths
Shut all right?
CHOLO
What if we
don't feel like it?
FERNANDITO
If not we'll
tell the tale.
ARTURO
What’s
your problem asshole?
Do you think they're giving away cash?
EVARISTO
You now what
they say, "A thief that steals from another gets
a hundred-year redemption!
Cholo pushes
Fernandito to the side and heads to the tent. Fernandito runs behind and grabs Cholo's shirt from behind.
He’s just about to punch Cholo in the face
when Arturo gets in the middle and thrusts Fernandito
away from Cholo.
Fernandito's now on to Arturo, but he's decisively
ready for the attack. Everyone lining up is watching the scene.
The blond girl and her father look disturbed.
CROWD
Come on, hit
him! Hit
him!!
Fernandito
hesitates; looks at Evaristo who doesn't seem to have
any desire to get involved.
EVARISTO
Drop it Fernandito
...Let's get out of here...
Fernandito
looks at Arturo who remains solid, with no sign of fear
in his expression.
FERNANDITO
(Tightens his
jaw)
You will see
what happens to you, little punk...
ARTURO
(Defiant)
What's gonna
happen to me!
Come on, say it!
What's gonna happen to me!
Fernandito
and Evaristo leave.
Arturo sees the girl and her father walk away.
Arturo looks down, trying to contain his anger. Among the crowd there's an older man of
neat appearance.
It's W.I. Farr,58, a British sports reporter.
CUT TO:
EXT./INT.
CITY OF IQUIQUE. TENT'S ENTRANCE. NIGHT.
A colorful
bulb-lit sign reads "The Great Circus of Wonders". Cholo and Arturo try to enter the tent.
A decadently flashy doorman does not allow them
in.
DOORMAN
I'm sorry,
I can't let you in, we
Want no trouble
here.
CHOLO
Hey, we're
not going to do anything.
ARTURO
You saw it,
didn't you? They
were looking for trouble, not us.
DOORMAN
I don't care
who started it.
Now, please step aside and let these people pass.
The doorman
pushes Cholo.
This enrages him.
CHOLO
What the fuck
is wrong with you....
Arturo stops
him.
ARTURO
Come on, knock
it off. Better
go home, come on, let's go.
A hand gets
in between Arturo and the doorman displaying a bill. It's W.I. Farr.
FARR
(With heavy
British accent)
Could you be
so kind and let these gentlemen pass please?
Arturo and
Cholo are first puzzled, then look at Farr smiling. The doorman baffles, and then looks at Arturo and Cholo with
scorn. The
disdainful doorman finally grabs the money.
DOORMAN
Ok, get in
quick.
FARR
Go on boys
...
Arturo and
Cholo enter as they mock the doorman.
Farr follows.
CUT TO:
INT. CITY
OF IQUIQUE. TENT'S INT. NIGHT.
Arturo and
Cholo watch the spectacle mouths wide open. Over a broken-down stage theater, a group of actors in disguise
yell at each other all kinds of patriotic threats. Roughly characterized as "Chilean"
and "Peruvian" sailors, they form two gangs
cornered to opposite sides of the stage.
Emblems of both countries crown two large papier
machée battleships, the "Esmeralda"
and "Huáscar". A large, bearded FAT MAN with a vague
resemblance to the Chilean Captain ARTURO PRAT, vociferate
his harangue.
PRAT
Sailors! The fight isn't equal! Our flag has never surrendered to the
enemy and this will not be the chance for that to happen!
A "Peruvian"
comes from behind and hits captain Prat. The fellow’s small and skinny, which
allows Prat to pick him up easily.
Then Prat walks around the stage as his attacker
kicks the air. The audience laughs hysterically.
Loud cannon
blasts are heard.
The battleships clash in the stage center.
Heavy smoke fills the air.
The audience coughs between laughs.
Farr chokes; Arturo helps him by tapping him
on his back.
When the smoke
dissipates, Chileans and Peruvians fight each other
using boxing gloves.
It is a kind of absurd Battle Royale.
The spectators roar supporting the Chilean side.
Jokingly Arturo and Cholo mimic the fighters,
delivering blows in all directions.
Captain Prat attacks another bearded man that
resembles Grau, the Peruvian admiral. Grau barely defends himself with an obvious
willingness to get hit.
Applause.
A thick curtain falls.
CROWD
Arturo, Arturo,
Arturo!
The attendance
keeps applauding with vigor.
Cholo raises Arturo’s arms, as he was the
one acclaimed. Arturo’s abashed. Behind them Farr watches it all and quickly
jots down words in a tiny notebook.
CUT TO:
INT. CITY
OF IQUIQUE. TENT'S INT. NIGHT.
The curtain
raises. Now
a coarse painted background represents a southern Chile
landscape, full of green and the perennial Andes' snowed
mountaintops.
The same fat man previously disguised as Captain
Prat appears, now dressing as an Araucan Indian chief.
Applause.
FAT MAN
Good evening
ladies and gentlemen.
I am Monsieur
Adem Rak Suleimán, your servant. It is honor for me tonight to present you the last piece entitled:
(Raises his
voice with solemnity)
Arauco in arms,
will never be tamed!
Applause. Farr continues scribbling. Arturo and Cholo eat juicy empanadas,
smudging their hands.
Heavy drumming announce three chubby araucans,
badly characterized and with a ridiculously trim haircut.
ARAUCAN 1
Lautaro was
called, the one who in this very land was born.
They wanted
to frighten him, but only made him furious!
ARAUCAN 2
(Continuing
previous verse)
... he and
Caupolicán, who's courage did not stay behind,
surrender he could not, nor could the rest of them!
ARAUCAN 3
(Completing
verse)
...Tucapel,
Galvarino and everyone else, although Galvarino the
worst of them all, as you will see yourselves!
Applause. Galvarino shows up chained, held by two
Spanish soldiers.
Galvarino's hands are wrapped by two large boxing
gloves displaying a design with the Chilean flag colors,
blue, white and red.
The soldiers push him facing an execution fork,
Galvarino falls on his knees.
The he puts his hands over the fork.
One of the soldiers grasps a large ax and drops
it down with violence. The gloves roll over the floor. Galvarino stands up reaching high with his arms. Loud, deep, drumming emphasize the moment.
Galvarino displays his stumps to the public.
Full of anger he kicks the boxing gloves to fly
over the audience's heads. The crowd fights over the gloves. Arturo and Cholo manage to get one of
them.
Meanwhile,
Galvarino places himself in the center of the stage
to perform.
GALVARINO
(With his arms
up high)
I will die
in grace and bliss... Dying for my sweet homeland!
Applause and
cheers to Galvarino.
Arturo and Cholo look overly excited.
Farr watches them with interest.
CUT TO:
INT. CITY
OF IQUIQUE. ARTURO'S HOUSE. NIGHT.
Arturo enters
his home. The
mother comes in with her hands full of money.
MOTHER
(Furious)
Where did you
get this money Arturo?
Where from!!
Arturo’s
perplexed.
MOTHER
The police
came and said that you hang around with criminals. I told them that was a lie, that I’ve raised you properly,
that you were honest.
And now, look what I found!
ARTURO
(Whispering)
Fernadito ...
fucking bastard ...
MOTHER
What are you
saying...thief?!
Wait 'til your father gets here!
The woman starts
hitting him, he barely defends himself.
MOTHER
From who did
you steal this money?
Tell me!
ARTURO
I stole from
nobody mama, I made this money unloading cargo at the
dock!
MOTHER
Liar!! Everybody knows there isn't any work there!
Liar!!
CUT TO:
....to be continued....
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