We
are everywhere
Photo:
Ugur Akinci
by
Ugur AKINCI
They
are everywhere now the builders of Tenochtitlan at shopping
malls and office buildings after hours the owners fade
they appear in twos and threes like worn out woolen
sweaters useful willing and ready at seven dollars an
hour soft masked brown eyes mouths and noses in lobbies
and restrooms with hopes soap brushes vacuums perforated
lives connected by desire like a roll of toilet paper
in low whispers random nervous laughter but no eye contact
ever dropped off by pickup trucks and picked up in gray
Chevies they from a life never to return towards a light
that flickers razor sharp.
It's
all for the bambinos and madres back at home, that is,
San Cristobal de Las Casas. Don't ask me my name por favor.
By the way, I'd start learning Spanish if I were you mister.
Esmeralda
was my sister. Almond eyes. It's raining and the train
is late. The night is late. We are nervous, keeping our
heads low under the devil bushes. No crickets but watch
out for scorpions. Field mice darting around for no purpose.
Surprisingly, stars above. Amigo, what does that mean?
The
wagons and the steel wheels get louder shining. The rail
stretches from nowhere to forever, the umbilical cord
of a dark border night. We are anxious, well perhaps soiling
our jeans, for that ladder into Texas. We are here to
climb it to heaven. Then the moment, now! It's always
"now" somewhere sometimes. We can't help that.
We
bolt from the underbrush where we hide and explode at
steel as it pulls up next to us with a puff and a drum
that shakes rib cages. This mean engine, with knowledge,
a weight lifter, neck veins popping. Shaking oiled metal,
screeching axles. Like a heartless fat guy who gets up
from a rich table, chewing on a golden toothpick, but
who still spits on us. Because he can. For fun and exercise.
The
border bandits, thieves from Tamaulipas jail, and even
El Coyote, if they see you, they rob you kill you rape
you, but the order sometimes changes. Sometimes they find
your shoes. Sometimes they don't.
Luis-Fernando
is athletic and a showoff. He jumps first to the narrow
ledge on the third car, barely, and grabs the wet handle
like a rock. He used to play soccer like a criminal.
We're
running along the train uphill, tearing inside but determined,
the noise, the rumble, his foot slips and he stumbles
but recovers quick because we are praying, the steam pressure
deafening.
A
sharp whistle, choir of angels take off in a flurry I
see them. Stars above shine even brighter, with a red
halo that I don't understand. Luis-Fernando offers a hand
to Esmeralda. She offers a hand to me. I say you go. I'm
older. She looks at me.
Once
I heard a guy in a bar in Metamoros say there is no such
thing as pure coincidence. Before he slapped me.
Though
you have not seen him, you love him; and even though you
do not see him now, you believe in him and are filled
with an inexpressible and glorious joy, for you are receiving
the goal of your faith, the salvation of your souls.
I
stare shivering at the train and the hot greasy wheels.
I can smell them I am that close. Luis-Fernando curses
at both of us. Mierda! Train about to accelerate downhill
again. It's a good time, a good time it is. It must be.
Esmeralda
grabs Luis-Fernando's hand and her mind flashes back to
the damp warehouse of our uncle's paintstore where they
made love late one night like this one very much a hungry
night after the last customer was gone.
A
fortune cookie from the only Chinese take-out in town:
"Your luck will have more suitors this week than
sailors in a drinking establishment. Look carefully before
you step off vehicles with wheels. Lucky prime numbers:
1, 7, 43. Lucky stone:Ruby. Lucky horse: Cervantes."
His
hands are warm and muscular like the roots of an ancient
olive tree. Life is twisting in them with a power that
promises her everything's gonna be alright. She goes for
it!
I
see her floating up the best she can. A magnolia unfolding
towards a meaning. Luis-Fernando dependable, careful,
but rain. His hands sweaty. Her hands too small for salvation.
Night
is aqua. Destiny. She jerks and twitches. She is a mackerel.
Shoulder cracks separates, frees herself from the hook
splashes back into another life. Night is now an ocean.
It's a knife. It sucks her free and deep under the wheels
each weighing three hundred pounds, perfectly round and
sharp on the edges.
Nobody
hears her scream. We don't scream. Fish don't breath.
Train screams nonstop. But she disappears under the world.
Luis-Fernando
frozen like a finch on the ledge, his round peasant face
getting smaller and smaller in the distance towards a
promise in Dallas or Baltimore or Los Angeles, a hole
punched on a ticket for a show that is canceled. No music,
Fernando. Not tonight. We are black stamps on a letter
mailed to future, address classified.
I'm
wiping off something a warm liquid with lumps and pieces
off my cheek and mouth although I don't hurt. Salty. I
don't know yet but it's gonna hurt later, a crackling
volcano will collapse inside my chest forever.
I
pull her out at least some of her from under the rolling
mountain, quickly with my claws, mad with terror, sun
bright force, before the rear wheels follow the front
ones that sliced through her left thigh and arm.
Esmeralda,
all of her eighteen years, the corn fields, quick plans,
the best ever who sang La Cucaracha and who had such a
cascading laughter, the girl who gave a many bad dreams
to rough boys back home I'm embarrassed to share,
is instantly thirty pounds lighter.
Nothing
is moving at absolute zero minus my heart. This cruel
train doesn't know a thing. Who is wise and understanding
among you? Certainly not the night, not the state of Texas,
the silent cactus nor the field mice. I remember the guy
at the bar.
A
bolt so bright if you look at it you'll go blind. It is
hammered from this end of the earth and I stick out from
the other, from somewhere near the washing sinks and toilet
bowls.
Who
is wise and understanding among you I ask you once again?
Let him show it by his good life, by deeds done in the
humility that comes from wisdom. But if you harbor bitter
envy and selfish ambition in your hearts, do not boast
about it or deny the truth. Okay?
I
don't go to church on Sundays anymore and that hurts too.
It's all for the kids.
Esmeralda
is everywhere.
_ . _
E-mail:
ugurakinci@aol.com
Web site: http://tork.blogspot.com
©Ugur
Akinci
|