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EVERYTHING SHOULD BE UNDER
THE SUN
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Jazz
with Audio Fact with Tiger Okoshi and Okay Temiz
Saturday, May 12, 2001 Performing highly original
and energetic jazz, Audio Fact, Okay Temiz, and Tiger Okoshi collaborate
on a tour de force jazz event featuring jazz-rock fusion, improvisation,
world music-inspired compositions, and original interpretations of jazz
classics. Known
for its inventive and dynamic approach to jazz, Audio Fact performs
a modern fusion of original jazz, Turkish and world music-influenced
composition, and improvisation.
This inventive group has learned ways of adopting the different
tuning systems of Turkish and Western music within the borders of Western
music composition, improvisational, and performance practice traditions.
The use of fine-tuned keyboards, fretless electric guitars, natural
trumpets, and reeds result in highly original music that is at the same
time very warm and familiar. Founded
in 1997 by guitarist Onur Turkmen and keyboardist Mehmet Sanlikol, Audio
Fact features Ryan Woodward on tenor and soprano saxophones, Fernando
Huergo on electric bass, and Cengiz Baysal on drums. This diverse group of young musicians, all of which are accomplished
in their own right and alumni of the Berklee College of Music, has won
international praise for its unique and energetic sound, and has performed
at festivals in Mexico, Argentina, the United States, Europe, Turkey,
and Cyprus. In addition,
Audio Fact has recently recorded a record produced by Aydin Esen, the
acclaimed musician and producer.
Accomplished
percussionist Okay Temiz, like Audio Fact, is known for his ethnically
inspired take on jazz. Performing
modal jazz improvisation with Turkish and Oriental music forms in uneven
time signatures, Mr. Temiz started his professional music career in
1955 at the age of sixteen when he set out to tour Turkey and North
Africa playing the drums in Turkish show groups.
Over the years, Mr. Temiz has come a long way from his colorful
beginnings, and has collaborated with renowned American trumpet player
Don Cherry, and worked with Dexter Gordon, George Russel and Clark Terry
in Denmark and Sweden. In 1972 he helped found the Swedish-Turkish
group Sevda, which he left
and rejoined in 1973. In
the mid-1970s he formed the group Oriental Wind,
which brought Eastern and Western instruments together to create an
interesting synthesis of musical forms, fusing jazz with the Eastern
makam scales. Mr.
Temiz’s experimentation has brought him to the forefront of the
world music scene; in 1991 his album Fis Fis Tziganes was number three in the charts, and his Green Wave
album is in the collection
of all world music DJ’s.
In 1993 he released Magnetic Band,
which featured a fusion of African and South American beats with traditional
Turkish melodies. He has
since released eight additional recordings and has performed at approximately
3300 concerts and participated in 350 festivals in his 34-year-long
jazz career. Mr.
Temiz is a graduate of the Ankara State Classical Music Conservatory
and the Tophane Arts Institute in Istanbul, where he studied classical
percussion and tympani. He
is also a Renaissance man of sorts in the music field, in that he not
only performs on a number of instruments, most notably percussion and
tympani, but he also makes many of them!
Tiger Okoshi, came to the
United States in 1972 for his honeymoon and never returned to Japan,
instead opting to cash in his and his wife's return tickets and enroll
in the Berklee College of Music in Boston.
Mr. Okoshi's spontaneous decision paid off - he graduated summa
cum laude in 1975 and went on to become a living jazz legend, described
by JazzTimes magazine, as "a formidable and tireless presence
on the jazz fusion scene." Inspired to take up the
trumpet at age 13 when a friend took him to see Louis Armstrong, Mr.
Okoshi soon immersed himself in mastering his newfound love. As his childhood passion matured, Mr. Okoshi has amassed a
lengthy resume: he has performed with the Mike Gibbs Orchestra and shared
the stage with the legendary Bill Evans Trio, toured the United States
with the Buddy Rich Orchestra, taught at Berklee, recorded Times
Square on ECM records, featuring Roy Haynes and Steve Swallow,
and toured the world with Gary Burton. He has also played with George Russell’s Living
Time Orchestra and has recorded
with Bob Moses. Mr. Okoshi records regularly and has released several
successful albums, including Echoes of a Note and Color of Soil. Mr. Okoshi's music is centered on a jazz-rock
fusion, and is influenced by Miles Davis. He is also well known for his tribute to Louis Armstrong, Echoes
of a Note, which reinterpreted Armstrong's
Dixieland standards. He is currently an Associate Professor at Berklee
College of Music in Boston, an executive advisor at the Koyo Conservatory
in Japan, and a JVC recording artist. His philosophy on music promises more great things to come;
he says, "It is a long process to become the musician that you
want to be. I haven't gotten
there yet; it's a long journey."
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TURKCE - ISIK BINYILI
BAHAR sayisi web'dedir. |
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@The Light
Millennium magazine was created and designed
by Bircan ÜNVER. 6th issue. Summer 2001, New York. URL: http://www.lightmillennium.org |